Jodie Foster on Vanity Fair

Thanks to Kisane, I did some digging for Jodie Foster on Vanity Fair's upcoming Hollywood issue. This issue has Annie Leibovitz recreating classic Hitchcock moments with celebrities. Here is Jodie Foster posing for a shot from The Birds.

FILM | Jodie Foster, The Brave One II

In a previous post, I mentioned how much I was looking forward to watching The Brave One -- the film directed by Neil Jordan and stars Jodie Foster with Terrence Howard.

A quick recap: Jodie Foster plays a New York radio-show host, Erica Bains, who is happily in love with her doctor fiance. Then one night both of them were brutally assaulted; her fiance died and Erica was left shattered emotionally. She buys a gun, and ends up a vigilante.

Terrence Howard plays a police detective whose path inevitably crossed Erica's. Both Howard and Foster gave great under-stated performance; their characters meet under horrific circumstances, and in the midst of the violence, the two connect in a real, palpable manner that felt so natural. It's nice to watch these two competent actors playing out their scenes with each other. Howard's Detective Mercer is relaxed, a little world-weary but he is holding up. He is the kind of policeman who would pursue a criminal for three years and not give up; you can see why Erica Bains would trust him -- she is just barely holding it together, and in the midst of the violence and the chaos -- Mercer is a rock.

Maybe it's just me -- in a film with so much shattering violence I look for the glimpses of compassion and humanity. My favourite part in the film is the unexpected kindness of Erica's neighbour -- an aloof, taciturn woman who never once called Erica by her name. Yet when Erica finds herself slowly disintegrating, it is this neighbour who notices, who reaches out -- and she ends up dressing Erica's injuries after a particularly severe beating.

This film is about violence and how it touches us all. Once we are marked we will never be the same again. What perhaps will save us are those very brief moments of human connection; it saves us, it redeems us.

No spoilers here -- but I didn't quite like the way the film ended -- I felt it was contrived and too convenient. In spite of its weakness, it is a good film.

Most of all for a Jodie Foster fan, it has her looking progressively hotter until her finally appearance in that edgy black leather jacket with sunglasses: She's swaggering, that animal skin she's wearing denotes her new status as hunter, that steely set on her face. In a lot of previous Foster movies her jaws are locked -- and I've made it a game to spot the throbbing veins at her neck. This is the first time I have seen Jodie Foster so self-possessed -- oh, to say the word: so butch.

It's sexy like hell.

And thanks to the kindness of a friend, I now have Jodie Foster posters to mount! Oh, I'm a happy puppy!

FILM | Jodie Foster, The Brave One

The LA Times interviews Jodie Foster on her new film, The Brave One.

The new film is directed by Neil Jordan (The Crying Game), in which Jodie Foster's character was assaulted in a brutal attack that left her boyfriend dead. Unable to let go of the experience, she becomes a sort of vigilante that prowls the street in hoodie and leather - and a gun. It promises to be intense and edgy, and I am so psyched for it. Also, the poster has Jodie Foster looking all lean, mean and broken up inside. Awww.

There are a few constants in my life, one of them being The Silence of the Lambs - which still rates as one of my favourite films of all time. It was also the film where I first watched Jodie Foster - and became a fan.

She's essentially playing the same character in many of her movie throughout her career - the intelligent, high-strung woman under threat who is fighting back. (I always watch for the tensing of her jaw muscles in all her films. Next time you watch a Jodie Foster film, look out for it.) She is one of those rare actress who can carry a film on her back alone - Flightplan being the best example of a film that should have crashed and burned, but it was rescued by Foster's sole redeeming performance. (The only other actress that I can think of with this kind of charisma is Angelina Jolie - but Jodie Foster has more box-office clout than Jolie.)

Perhaps one day I will sit down and examine the mystique of Jodie Foster for me. Maybe it's her brilliance and exquisite bone structure. Maybe it's because she speaks French like a native. (French being the language that sounds seductive even when you're being insulted.) She is strong-willed, disciplined and hardworking. She is a woman of unfathomed depth. Hollywood never managed to crushed her - that's saying a lot.

Jodie Foster is the kind of woman I aspire to grow into. Whatever the reasons for admiring her, I am so going to catch The Brave One. *sigh*