Friday, February 29, 2008

Music to Battlestar Galactica

Fans of the current Battlestar Galactica series may be familiar with this song: It's Bob Dylan's "All Along the Watchtower", score rearranged with an Indian accent (you may notice the sound of the sitar in the background) -- all set to a montage of frakking action. The song featured prominently in the closing two-parter episode of BSG Season 3, ("Crossroads, Parts 1 and 2").

BSG actually has one of the best soundtracks on a TV series ever. I am not ashamed to tell everyone that the ringtone on my mobile phone is the opening title to Battlestar Galactica -- which I just found out is actually the Gayatri Mantra. Go figure.

Soundtrack composers Bear McCreary and Richard Gibbs drew from various ethnic musical traditions to give BSG its ambience. My personal favourites are the Irish pipes and Irish Gaelic vocals that are usually used for the Adama scenes. The Irish pipes communicate the poignancy of loss, the sense of brotherhood in battle -- afterall, the story is about the surviving remnants of the human race fighting to avoid genocide; in the face of the inevitable, is the possibility of courage.

And I love the taiko drums on the soundtrack -- the way they build insistently to a crescendo for the fast action sequence of story. Those taiko drum scores never fails to stir me.

Season 4 of BSG will premiere this April. It will be the last season and the final Cyclon will be reveal.

As I wait for the new season, and the DVD release of Season 3 -- here is one of the better fan video that highlights some of the best parts of Battlestar Galactica so far.

BOOKS | Why I Want to Read John Ruskin (One Day)

Marcel Proust was a great admirer of Ruskin, and from Proust I gathered he was a great art and social critic. While I have never read anything by John Ruskin, I hope to read Praeterita one day.

Why am I interested in Ruskin? Simply because Proust admired Ruskin? That's not a good excuse -- it's like reading Anna Karenina only because Oprah recommends it.

Proust brought Ruskin to my attention; I was curious. However, my real introduction to Ruskin's ideas was via Alain de Botton's The Art of Travel. In the book, De Botton outlines the five central conclusions of John Ruskin's treatise on why we desire to possess beauty:

  1. Beauty is the result of a series of complicated factors that come together to affect the mind both psychologically and visually (huh?)
  2. Human have an innate tendency to respond to beauty and the desire to possess it.
  3. Desire for souvenirs, carving one's name on pillars, taking photographs – these are the more vulgar expression of the human desire for possession
  4. There is only one way to possess beauty – and that is by understanding it, and making one-self conscious of the factors (psychological and visual) responsible for it. In short, we need to process
  5. The most effective means of pursuing this conscious understanding is by attempting to describe beauty – by writing or drawing – whether we have any talent for doing so (which is why there are so many badly written poetry out there)

Ruskin was known for being extremely generous with his time teaching art to the layperson. He believed that one does not have to be an artist, or even be remotely skilled to learn how to draw: "My efforts are directed not to making a carpenter an artist but to making him happier as a carpenter."

Ruskin believed that just practicing how to draw – even if you are not gifted – teaches us to see, to notice, rather than merely look. The process of art enhances our perception, helps us develop the aesthetic sensibilities that we can bring to our ordinary lives. It is an affirmation of art and its relevance to life, because it refines us. In learning to draw, we will also learn more about our preference, and in the process perhaps discover for ourselves the rational behind our tastes. When we understand why we prefer one thing over another, we begin to develop an 'aesthetic', a capacity to assert judgements about beauty – and ugliness.

Ruskin described writing as a form of 'word-paint.' He encouraged writing about our experience as it can help us crystalise our impressions of beauty – but one needs to write effectively. Effective writing is more than mere description; it should also analyse the effect something has on us in "psychological language." When we fail to write adequately, it is simply the failure of not asking ourselves the crucial questions, the failure to examine the experience incisively. In short, we fail because we have not applied our critical faculties to a sufficient vigor.

I admit: this is the weakness in my reading and writing – not being critical enough. I am guilty of complacency and never really venturing out of my comfort zone. Ruskin's ideas shame me a little, but it also motivates me to work harder at developing my own aesthetic faculties.

From what little of Ruskin (via de Botton) that I have learnt, I can see why Proust was such an admirer. What is so captivating about Proust's epic (in spite of his annoying snobbery and his loooooong, sinuous prose) is his relentless exploration of that shadow labyrinth known as the human heart. Reading Charles Swann's jealousies over Odette in Lydia Davis's superb translation of Swann's Way, I immediately became a Proustian groupie. Proust seems to exemplify Ruskin's idea of pursuing art and beauty by attempting to "word-paint" in psychological landscape -- and how he painted.

This is why I want to read Ruskin. One day. And why I need to pick up The Prisoner and The Fugitive soon.

CHALLENGE | Closing on Outmoded Authors Challenge

September 1st 2007 ~ February 28th 2008

Choose to read however many books by however many authors you like from the list at Outmoded Authors

My books read:

  1. W. Somerset Maugham, The Razor's Edge; The Moon and Sixpence
  2. Italo Svevo, A Perfect Hoax
  3. G.K. Chesterton, The Man Who Was Thursday; A Piece of Chalk (Essay)

Okay, it could have been better. But in between I did a lot of yoga. And I read other books. So, it's cool.

Thursday, February 28, 2008

SIFF 2008

Here it is -- the schedule for the annual Singapore International Film Festival. I missed the last two film fests because I was away, but this year I'm sticking around.

I'm studying the film selection and pencilling in the shortlist. But there are at least two films are definitely my MUST-WATCH:

  • I'm Not There -- the quirky production that has different actors (Cate Blanchett, Heath Ledger and Christian Bale among them) playing different manifestations of Bob Dylan. I've been waiting for this one since I heard about it last year.
  • The Last Mistress -- directed by Catherine Breillat and stars Asia Argento. A French period piece that has Asia Argento playing a devious courtesan whose young lover is to be married to a pure, virginal lady.

Wednesday, February 27, 2008

The Eloquent Sounds of Silence

Pico Iyer writes on The Eloquent Sounds of Silence:

Silence, then, could be said to be the ultimate province of trust: it is the place where we trust ourselves to be alone; where we trust others to understand the things we do not say; where we trust a higher harmony to assert itself. We all know how treacherous are words, and how often we use them to paper over embarrassment, or emptiness, or fear of the larger spaces that silence brings. "Words, words, words" commit us to positions we do not really hold, the imperatives of chatter; words are what we use for lies, false promises and gossip. We babble with strangers; with intimates we can be silent. We "make conversation" when we are at a loss; we unmake it when we are alone, or with those so close to us that we can afford to be alone with them.

In love, we are speechless; in awe, we say, words fail us.

Naturally I can't keep my mouth shut here: If in love we are speechless, why are there so many songs, poetry and books written about love? Oh, and words fail me too, when I see someone wearing a fluffy pink dress with silver shoes. But that -- is not awe.

I actually like this article (even if I find it a little florid in places) -- but I just had to be cheeky.

Monday, February 25, 2008

Tonight's Yoga Class & Reading Update

YOGA PRACTICE

The focus of tonight's class is backbends. It seems I wasn't the only one who loved M's backbend class last Wednesday. M had planned to work on hip-openers tonight -- but with the positive feedbacks, she decided to go into backbends once more.

Tonight we did a series of standing backbends, progressively deeper each time. On the last backbend M encourage us to drop to a wheel pose. I thought I could, but for some reason I didn't. Later after class I thought about why I chose not to drop back into Wheel. I wondered if I was playing it too safe?

I need to learn to practice with a greater degree of detachment, I think.

BOOKS & READING

I'm about 30 pages to the end of Colin Thubron's Shadow of the Silk Road. A colleague commented this morning how she sees me with the same book ALL THE TIME. I checked my records and I have been reading Thubron for more than a month. Oh dear.

It's not that the book is bad. In fact, it is well-written and I intend to pick up other travelogues by Colin Thubron as soon as I am done with Shadow of the Silk Road. It's just that most of my reading is done on the way to work and back, and there's everything else in between -- yoga practice, chores, dinner, sleep and a social life. Oh, how I miss having a social life.

I'm also behind on my reading of War and Peace; at 1,200++ pages it's just too heavy to bring to work. (I might break my wrists holding it up on the bus!) It would also be out of place in the yoga studio -- although I have to admit, it would make a good yoga prop.

Oh, I went to the library over the weekend and came back with some good stuff:

  1. Wislawa Szymborska's Poems New and Collected
    I have checked out this collection many times over the years, but for some reason, I never bought myself a copy. She is like the favourite poet I keep dating but absolutely refuse to marry.
  2. Judith Thurman's Cleopatra Nose: 39 Varities of Desire
    I enjoyed Thurman's biography on Colette (even though it is as yet still unfinished). She is a thorough researcher who also shows interesting insights on her subjects. I like her work.
    Thurman is a regular contributer to the New Yorker magazine, and this is a collection of some 39 articles over a 20 years career as a writer.
  3. Joan Didion's We Tell Ourselves Stories In Order to Live: Collected Nonfiction
    I read The Year of Magical Thinking a while back and I was fascinated by how she examined the process of grief and loss. The Everyman's Library collected SEVEN of her non-fiction books in this thick hardcover -- one that could prove useful as a yoga prop. Let's see how far I go with this collection.

Ethical Wills

For the past week, I've been trying to write something about ethical wills but the distractions are relentless.

I first learnt about ethical wills from an article in the September/October 2005 issue of Utne magazine. That article left a deep impression on me and I thought about it for a long time. Then recently I watched the video by Lakshmi Pratury on the letters her late father wrote to her. Something possessed me and I could not rest until I found that issue of Utne with the article. I reread the article and it did not lose its relevance.

Within the same week of rereading the Utne story, I stumbled on Barry K. Baines's Ethical Wills -- which coincidentally was mentioned in the Utne article. (I did not go looking for the book. I was looking through the shelves on writing and there it was, sitting on the library shelf. It was serendipity.) I picked up the book, and learnt a little more about ethical wills, with some advice on how to write one.

But first: what are ethical wills? How do they differ from the usual legal wills where we find out if Aunt Margaret left us her house, her jewelry and Peanut, her pet chihuahua?

Barry K Baines basically puts it down to this: legal wills bequeath valuables, while ethical wills bequeath values. (One might argue that Peanut the chihuahua isn't worth its weight in fertilizer, so it hardly counts as valuables. But one digresses.)

Ethical will is an ancient tradition practiced across many cultures. In the Bible, when Jacob calls his sons to his deathbed and he gives them his blessings, it serves as form of ethical will conveyed orally. It is still being practiced today, even if we may not always recognize what it is called.

Ethical wills are where we state, our hopes and blessings, for posterity. We reaffirm the values and beliefs that defines us. For example, a father might decide it is important to tell his children the family history. Or a mother might want to tell her children the importance of a good education. The writer may also choose to just relate personal stories, anecdotes, or express regrets, gratitude and funeral arrangements.

Who are the ones who will benefit most from ethical wills? According to Baines, it is women. "Women couldn't bequeath valuables, so they bequeathed values," he wrote.

The person that you are, the values you stand for –these are the things you can pass on, that no one can take them from you. In cultures where women have no say over property – and are often regarded as properties themselves – ethical wills are the only true legacy that women could leave behind.

The Utne article talked about Rachael Freed, a former English teacher and therapist, who argued for ethical wills as a means of empowering women. She runs the Women's Legacies project, which helps women write their ethical wills. She wanted her project to be more inclusive of women from all social classes, so she asked someone who worked in a prison: who will benefit most from ethical wills? The answer:

"The lifers," the prison official replied. "They are the ones who fear most not being remembered. Their families are doing their best to forget them."

Implicit in our ethical wills is the fear of obliteration. We would like a say in how we want to be remembered. That is why we feel the need to tie up the emotional loose ends of our lives. In our ethical wills we attempt to address past, present and the future.

Most of all, it is for those who are unable to say the things that needs to be said. It is the sad truth: we often leave too many things unsaid, too many things undone. Humans are creature with the capacity for regrets.

When is a good time to write ethical wills? Baines claims that there are two answers to this question: 1) when people are in a transitional period in their lives, 2) when a situation occurs that lead people to reflect on their lives. Transitional period could be the pending arrival of a child, marriage or whenever great changes occurs in our life. One does not have to be dying of cancer to prepare your ethical will. Everyone can benefit from setting down to paper our spiritual and emotional legacy. But I suppose what is said will be most meaningful when it is most heartfelt, when it matters most.

So why am I suddenly so interested in ethical wills? Am I going through a transitional period of my life? Has something occurred that caused me to reflect deeply on my life?

Back in 2005, after I read the Utne article, I thought about writing my own ethical will. There was a brief moment of sadness because it hit me: I have no children, and so there is no one I could leave a written legacy of my life to.

Then I thought about my mother; I wondered what she will write in her ethical will to me. There was one time when my mother over-explained an issue; later she told me: She has seen how over the years I had come to be resentful of her -- all because she rarely explains herself effectively. There lies all these misunderstanding between us. It has gone on for so long, one doesn't even know where to begin to resolve them.

That is true. But then again, according to my closest friends: the reason I am often misunderstood is because I don't explain myself enough. Ironic, isn't it? It feels almost like a genetic trait.

I am my mother's child. The inability to say what needs to be said is the failure between my mother and myself; the reason why our relationship is so strained.

Many times, I imagined the things my mother would like to tell me, but is unable to do so in person. It became an exercise in trying to understand my mother's hopes and expectations of me. What does she see when she looks at me? Is she proud of me? Does she love me? Does she know me at all? The answers proved difficult –- because if she doesn't even know who I am, the daughter she loves is not me – just a delusional image of someone she thought is her daughter.

I believe in an ethical will, partly because I believe it can provide a form of comfort, especially for someone towards the end of their life. But it is more important, to say what needs to be said while we are still alive. As I watched my parents decline in health in these recent years, I wonder: do we have enough time?

Sadly, I suspect there will always be too many things left unsaid between my mother and myself.

Saturday, February 23, 2008

YOGA | This Week's Practice

My hip joints are aching a little from Friday's Hotflow class. R. put us through several series of hip-opening poses, especially the Lizard Utthan Pristhasana. Usually for the power classes we work a sequence towards a peak pose; peak pose for Friday night is Eka Pada Koundiyanasana II (shown in the picture on the left).

At this point of my practice, I can only manage to lift the front leg (somewhat unglamorously). R. tells us it takes a see-saw action and CORE STRENGTH to lift the back leg up into that beautiful balance. Ah. I have, what is politely called, "Baby Core." So.

I can feel a gain in strength over the past few months of intense power classes. But these are muscular strength in my limbs. Core strength is still elusive. As CS reminds us every Ashtanga I class -- it is the core that gives us that lightness to "float" back and forth. CS enjoys demonstrating that floating action. I have seen him float from Crow up into a Handstand. It's impressive.

I wonder when will I be able to do it? (Yes, I know yoga is more than the asana, but damn it! I want!)

But this week's practice has its highlight on Wednesday: On Wednesday evening, M. felt a general low energy in the class. So she decided we should work on backbends instead.

Thank you, M. I love backbends.

We tried a Full Pigeon, but alas, my arms can't reach my back toes yet. One day. One day I will be there. Meanwhile, I continue to practice.

But most of all, the Wednesday practice allowed me to practice some of my favourite poses, like the Side Plank with a backbend variation -- which was something B. used to lead us through in his Anusara classes. Sometimes it would lead up to the Wild Thing, which never fails to invigorate me.

As Anusara teacher, Desiree Rumbaugh wrote, "Anusara founder John Friend teaches that it's not just the shape of a pose that can make it magnificent or therapeutic, but the energy and intention behind it, as well."

The Wild Thing is a great heart-opener taught by John Friend. Your heart soar, your entire body just open, release to something greater than yourself. This particular pose resonant with something deep within me. Each time I come to it, I feel wonderful, as though in a state of grace. I love it.

I miss my Anusara classes. *sigh*

May Those Who Lose Their Way

I was browsing the Spring 2008 issue of Tricycle magazine and I came across this short prayer:

May those who lose their way and stray
In misery, find fellow travelers,
And safe from threat from thieves and savage beasts
Be tireless, and their journey light.

~ Shantideva

My whole life I have felt lost, without direction. Things are better now -- not that I have a better idea of where I'm going, just that I have learnt to be a little more at ease with not-knowing. It's about faith, I think, to be able to sit with the unknown. Faith keeps you open to the unfolding experience of life. Most of us however, would prefer to control the circumstances of our lives.

I wrote this description of myself back in 2005:

I wish I know where I am going, while paradoxically recognizing the journey of being lost is the truest adventure. So meanwhile, I'm fucking up trying to find my way and pissed off about it.

This has not yet changed. So while I've updated my avatar a few times, I'm keeping this personal description.

One of the best gifts in my life are my "fellow traveller." My friends -- the handful of them who stayed with me through the difficult times, when it would be easier to walk away. I don't thank them enough. Having them in my life makes me want to be the kind of friend who will be there for others.

On Elizabeth Hardwick (1916–2007)

At a memorial service for Elizabeth Hardwick, Darryl Pinckney and Joan Didion shared their memory of the late co-founder of The New York Review. The full article is available online.

From Darryl Pinckney:

"Sometimes she read in order to write, in order to begin, to find her way in. She agreed with Virginia Woolf that to read poetry before you wrote could open the mind. She typed at a desk upstairs in her apartment on West 67th Street; she typed at her heavy machine on the dining room table. She wrote in big handwriting on legal pads that then waited on end tables for her doubts; she wrote in little notebooks that she tucked between the cushions of the red velvet sofa. When she wrote, books piled up all around her, opened, or face down, each asking questions of her, whispering about the way in."

... ...

"Writing was not a collaboration. In the solitude of the blank page, everyone was up against the limits of himself or herself."

From Joan Didion:

"She understood at the bone the willful transgression implicit in the literary enterprise—knew that to express oneself was to expose oneself, that to seize the stage was to court humiliation—and she accepted the risk. Every line she wrote suggested that moral courage required trusting one's own experience in the world, one's own intuitions about how it worked."

Friday, February 22, 2008

Amanda Overmyer is Top 12 on American Idol 7

I have to say, not the greatest performance, but she is the only reason I am even interested in American Idol. I hope she stays.

Changed My Avatar

It's 2008, and I am bored with the Lena Headey avatar (but this does not mean I am bored of Lena Headey). I've updated my avatar to that of Ellen Page dressed up as Patti Smith's picture on the Horses album. So when I comment on blogspot, you see Ellen Page.

Until I find another picture.

QUIZ | Which Supervillian Are You?

Your results:
You are Dark Phoenix

Dark Phoenix
66%
Venom
56%
The Joker
55%
Apocalypse
54%
Dr. Doom
54%
Juggernaut
50%
Magneto
42%
Mystique
42%
Lex Luthor
39%
Mr. Freeze
37%
Poison Ivy
36%
Catwoman
31%
Two-Face
30%
Riddler
29%
Kingpin
27%
Green Goblin
22%
A prime example of emotional extremes: Passion and fury incarnate.
Click here to take the Super Villain Personality Test

I totally approve of this result. Although, I wouldn't mind it if I get Mystique or Magneto either.

Thursday, February 21, 2008

A Eulogy to My Uncle B

I feel like I need to say something more about my Uncle B. He was one of the likeable members on my dad's side of the family.

The image that came to my head is the four nurses who showed up unexpectedly to pay their respect.

So, here goes:

Even if you only knew him for a few months, you would come to his funeral. He is the kind of guy who makes good, strong impressions on people.

He smiled a lot. He talked to people kindly, and I have never heard him say anything mean about anyone in my life.

Rest in peace, Uncle B.

Home After My Uncle's Cremation

I had to take a day off today, for my uncle's cremation. I'm back home now and I'm wondering if I should show up for yoga class. Probably not.

My relationship to my family is complicated, partly because I always feel the need to restrain (and suppress) myself in front of my relatives. Family, especially certain aunts, can be vicious and petty. But today was considerably painless, I guess because today everyone is on their best behaviour.

One of my cousin is working in the Middle East right now. He was in town for Chinese New Year, flew back to the Middle East on Monday -- but he bought a ticket home again when he found out about my uncle's passing. His plane landed just in time today for the service today.

My uncle was a retired school teacher and some of his former students were there.

Four of the nurses from the nursing home where my uncle was staying during the last few months of his life came. We were surprised that they bothered. It was very sweet of them. My dad said it was probably because my uncle was such a good-natured guy. He was. My late uncle was a man with layback charms. He had no airs, and he was kind to people. He obviously left a deep enough impression with the nurses in the final months of his life.

My cousin, G. was crying during the service. I didn't ask her about it, because her tears seem private. She lost her father a few years ago to liver cancer. She was going to donate part of her liver to help her father, but he passed away before the operation.

During the service when the congregation was chanting, I stared at the black-and-white photo of my uncle -- my dad's second older brother -- and I found myself focusing on the family resemblance between my uncle and my dad. They have the same ears, they share the likeness in their eyes and their mouths -- but my uncle had a sharper, more V-like face.

My eldest aunt and cousins were looking around the coffin earlier in the afternoon. Apparently they were looking for "lucky numbers". (There's the belief that sometimes the dead will pass on "lucky number" for the lottery. It's their way of rewarding the living, I guess. My eldest aunt seems to be the expert in discerning lucky numbers. She won $20,000 in the lottery a while back, and it financed a holiday to Beijing)

It was so traditional I couldn't help just smile. Uncle M saw what they were doing, and he just muttered (with good-humour), "Fortune-hunters."

There was no lucky number on the coffin, but when the chartered bus arrived, Eldest Aunt piped, "The bus has numbers." And she scrambled off to the carpark.

This is not to say we were enjoying ourselves at my uncle's funeral. We loved my uncle and we grieve his passing. My Eldest Aunt wept during the service -- she loved her younger brother. But in the space between, the living were just being themselves, doing strange things like looking for lucky numbers. It felt bearable, being with my extended family during the funeral.

Cousin G. drove us home after the cremation. On the way G's mother started gossiping about the other relatives, and other families. G understood that her mother is one of the "Vicious Aunts" I have always tried to avoid.

G's mother spoke badly about how some children from a particular family grew up reprobates. How they take drugs, have tattoos, and two of them have homosexual relationships.

That was when I shut off mentally. People die, and the living just continue being themselves.

Wednesday, February 20, 2008

10 Ways to Save Money on Books

(Found this via Confessions of an Idiosyncratic Mind)

All very sound advice. Goodness knows we all need to save a little money. Application may be a little tricky though. But I wholeheartedly applaud this little nugget: Frequent your public library.

When I was growing up, my parents brought me to the library more often than the shopping mall. They are the kind of parents who are reluctant to spend money on frivolous items -- like toys, fanciful clothes, impractical shoes, make-up. The only things they are really willing to pay for were books. But they also believe in the library.

So do I.

Frequent your public library. It's also better for the environment.

Monday, February 18, 2008

The Dying Art of Letter Writing

In the video below from the TED presentation, Lakshmi Pratury talks about letter-writing, and shares a series of letter her father wrote her before he died. The value of her father's letters to her, in journals and notes, in his own handwriting -- are priceless. They are more personal and valuable than any well-written emails. It makes you want to just pick up a pen right now and write a letter to someone you love.


[I've fixed the embedded code for the video. But in case it still doesn't show up, you can view the video here]

I've watched this video a few times and I still love it. I still chuckle at the same moment in the video, where Lakshmi Pratury tells the audience about how her father wrote about her strengths and weakness -- with "gentle suggestions for improvement."

Sunday, February 17, 2008

Anyone Read Richard Yates?

Can I just run a poll on how many people have actually read Richard Yates? He's an author that my friend Missy have recommended to me more than once. But part of his appeal is the bleakness of his prose. In his fiction, there are sad people, living sad lives. They dream, only to realise they have been lied to all their lives: that there never was this thing known as The American Dream.

I admit -- it sounds so depressing I have avoided it for a long, long time.

The Guardian visits the works of this American writer. They describe his works as such:

'My characters all rush around trying to do their best, trying to live well within their known and unknown limitations,' Yates explains. 'Doing what they can't help doing, ultimately and inevitably failing because they can't help being the people they are.' This tragic sense is what singles him out from a legion of lesser contemporary chroniclers of failed middle-class lives. 'He sees how valiantly people try, how they struggle with their own mediocrity,' says Hare. 'They're half-good, half-gifted, and it isn't enough against the immense forces of luck and circumstance.'

If we're doing Outmoded Author Challenge: Round 2, Richard Yates seems like someone to add to the list.

Or, Outmoded Author Challenge 2: The American Edition.

Saturday, February 16, 2008